Rolling Stones Sing a Muddy Waters Tune Featuring Buddy Guy

A few days ago at one of their concerts in Milwaukee, The Rolling Stones performed 'Champagne & Reefer', a Muddy Waters classic. Joining them as a special guest was blues legend Buddy Guy (who played and recorded with Muddy many years ago.)

Nice to see the Stones pay tribute to one of their biggest influences!

'Early Morning Blues' - Big Joe Williams/Lightnin Hopkins/Sonny Terry/Brownie McGhee

In 1960, a live jam session took place at the Ash Grove club in Los Angeles, featuring four blues legends, Big Joe Williams, Lightnin' Hopkins, Sonny Terry and Brownie McGhee.

A very raw and down low, loose performance by all these greats, this album was only released in 2001 after being bootlegged for so long.

Here's 'Early Morning Blues' also known as 'Chain Gang Blues':

Post-Gig Blues Report

10 years. 

It was 10 years ago that I performed in Beirut. Why did I take so long to go back and play? Lots of factors really. After all, I was always in a band situation, never a solo performer until only a few years ago. 

The opportunity seemed ripe, considering the amount of work and effort I was putting into this blues thing. How far can someone go with the blues? A genre that continues to dwindle in the overall scheme of things?

I got the approval of Fete de la Musique a month back. It was the comeback I was looking for after a decade of absence from the Lebanese music scene.

The next step would be to assemble a band. Like I normally do things, I have my friends and network of musicians. I was fortunate enough, considering how busy everyone would be on that night (92 bands were playing), I reunited with Toufic who was the drummer with me in the Mojolaters Blues Band before we returned to Lebanon 4 years back.  

Next I had the versatile and laid back Joe on guitars, who was essential in filling both the role of lead and rhythm. 

Given the time constraints and busy schedules, I was not able to get other people on board. A power trio it would have to be.

Under tension and anxiety, and also having an extremely powerful band (Funky Blues Brothers), incidentally fronted by the French Ambassador no less, led me to almost crumble. I mean, these guys have about 30 years of playing experience, not to mention some of the best musicians in Lebanon, and having more members on stage to fill up the sound.

To counter this, I made a rapport with the audience, telling them my story of being here, cracking some jokes here and there.

Our setlist was:

1) Blues Had a Baby and They Named It Rock N Roll - Muddy Waters

2) My Babe - Little Walter

3) How Blue Can You Get - BB King

4) La Grange - ZZ Top

5) Got My Mojo Workin' - Muddy Waters

My tension eased once the first opening notes were played, and when everything gelled together. By the 3rd song we were in full force. Thankfully we pulled off a great performance and the crowd was very supportive and engaging, especially when they were singing along in "Got My Mojo Workin'.

Thanks to Fete de la Musique and to Beirut for having me again after all these years, to my friends and family who came to the show in support. I'm back in Kuwait now with the blues as I write this, but I hope to be back again soon. 

Standard of the Week: 'Statesboro Blues'

In 1928, country blues legend Blind Willie McTell released 'Statesboro Blues' on the Victor, referring to the town in Georgia.

The song is very much a ragstyle blues, and became one of his biggest hits.

However, it was the 1968 version by Taj Mahal and the 1971 version by the Allman Brothers that actually popularized the song, due to it's heavier beats and the electrifying slide guitars. The Allman Brothers version has seen heavy success and was chosen #9 on Rolling Stone's Top 100 Guitar Songs.

Weekend Roundup + A Reminder

It's been a busy weekend, so I thought I'd group everything into one post:

First, we start off with some bad news.

1- Ornette Coleman, free jazz legend, dies at the age of 85. 

Ornette Coleman was known to be a breaker of conventions; a man who played a plastic Yamaha alto sax, which is alone a shocker at the time, and performing odd measures, scales, and with more and more freedom within jazz.

His album, The Shape of Jazz to Come, in 1959 was his breakthrough, and went on his never ending search of new sounds until the day he died.

Jazz truly was never the same without him. Here's an old post I wrote about him a while back.

2- My Full Interview with Urban Q8 is Out


I had a great time doing this video with Tarek of Urban Q8. I hope you guy like this video!

3- Only a Week Left for Fete de la Musique!


Remember, next week on 21 June, I will be performing with my blues band in Beirut, at Samir Kassir Square. 

Checkout the full lineup that day, and don't forget to say hi!

Live Version of my original 'Snake Oil Blues'

I recorded an interview for Urban Q8, and that will be coming later on, however I thought I'd upload a live version of one of my tracks for that interview for you to enjoy.

This version, unlike the original, is in open G tuning, which makes it sound a lot darker and more true to the Mississippi Delta blues sound.

Hit me up with your feedback!

'Glory Bee' - Lightnin' Hopkins

Lightnin' Hopkins was known for his haunting vocals, enchanting lyrics and fiery guitar skills. This song combines them all in a chilling blues track, called 'Glory Bee'.

Organic Sounds - Tribute to Nepal Concert

Delta Blues Playlist

via mojohand.com

The Mississippi Delta is the region in the southern United States, also known as the Deep South, where blues music originated. The area, known for its poverty, sharecroppers and farming, is the place where African-Americans on the plantations started singing the music originating from West Africa, combining it with work songs, spirituals, and instead of talking about God (gospel), talked about women, working conditions, and poverty, which became the blues. 

From this focal point between the banks of the Mississippi River lie the states of Mississippi, Tennessee, Louisiana and Arkansas, where the most famous movers and innovators and legends of the blues emerged. From Robert Johnson to Muddy Waters to BB King to John Lee Hooker and hundreds more, this was not just fertile land for farming but also for growing legends.

The country style, usually with a bottleneck slide, no amplification, and loose, raw, solo arrangements define the sound of the delta blues. It is the origin, and from the 1920s onwards was the prime location for bluesmen to shine.

I've complied a list of 10 songs from the Delta for your blues needs:

10. Depot Blues - Son House

9. Country Blues - Muddy Waters

8. Sittin' on Top of the World - Mississippi Sheiks

7. Goin' Down to the River - Mississippi Fred McDowell 

6. Big Road Blues - Tommy Johnson

5. Someday Baby - Sleepy John Estes

4. Grandpa Got Drunk - Kokomo Arnold

3. Good Gal Blues - Sonnyboy Williamson I

2. Black Spider Blues - Robert Lockwood Jr.

1. Crossroad Blues - Robert Johnson

Standard of the Week - 'Walkin' Blues'

In 1936, Robert Johnson recorded the definitive version of "Walkin' Blues", which contained the classic line:

"Woke up this mornin' feelin round for my shoes
But you know by that, I got these old walkin' blues"

It contains traditional blues lines originally attributed to the legend Son House, who was a major influence on Robert Johnson. 

Since then it's been considered one of the main blues standards, and has been covered by hundreds of musicians across genres, such as:

MUDDY WATERS

ERIC CLAPTON

HOT TUNA

CEE-LO GREEN ft. KENNY WAYNE SHEPHERD (wtf)

ROY ROGERS

JOE BONAMASSA