Standard of the Week: 'Crawling King Snake'

via ArtLetter

'Crawling King Snake' is a blues standard that has been covered by many artists. It's origins go back to the old Mississippi Delta blues of the 1920's. It is thought to be inspired by 'Black Snake Moan' by Blind Lemon Jefferson.

The heavy riff and the lyrics immediately became a favorite. The original version is disputed to be between Big Joe Williams and Tony Hollins (though I could not find the latter's version).

Big Joe Williams (1941)

Since then, some of the bluesmen who covered it were: 

John Lee Hooker (1949)

The Doors (1970)

Muddy Waters (1971)

George Thorogood (1985)

Buddy Guy (2003)

Celebrating the Birthday of Miles Davis

On May 26, 1926, Miles Davis, the legendary jazz leader, composer, and trumpeter, was born.

I've spent many articles on Miles in the past; but you can never have enough of talking or discussing this great figure, for his contributions to music generally, and jazz specifically, are far too numerous.

Never seeking to stay stagnant or fade into obscurity or being considered a 'relic' of the past, Miles always kept pushing his music further.

It started when he moved away from bebop, into cool jazz, a style that he was monumental in developing, to his shift to hard bop during the early to mid, 50's. His leap into modal jazz was cemented when he released the best selling jazz album of all time, Kind of Blue, to much acclaim.

He started playing with electric sounds and literally creating the genre of fusion, Miles released In a Silent Way, and then the Electric Miles phase was born.

Electric Miles

He even released (although posthumously), a hip-hop/jazz album with the help of Easy Mo Bee called Doo Wop.

His trumpet style is also widely duplicated, in the philosophy of "less is more".

His legacy lives on through his music, and all the awards such as the Lifetime Achievement Award, several  Grammys  and the Rock n' Roll Hall of Fame. 

We salute the King of the Cool, Miles Davis, and I leave you with one of his most recognizable songs, a live version of "So What" of the Kind of Blue album, featuring John Coltrane on the tenor sax, and don't forget the block party being hosted by his estate in NYC for the Miles Davis Way celebration!

The New Hendrix Movie Offends & Tainting A Musician's Legacy

The new biofilm of Jimi Hendrix 'All Is By My Side' has been on the receiving end of some controversy. The film stars Andre 3000 (of Outkast fame) as the legendary Jimi Hendrix, and while the film initially had some buzz about it, it quickly died down once it was revealed that no actual music from Jimi Hendrix will be used in the film (not even as a cover version). The producers say that this is due to the film being made about Jimi's pre-fame era.

However, a film about a legendary musician without a hint of his music misses the point. It's like showing how Pink Floyd were created without showing off their most famous material, or even before David Gilmour joined the band. 

The film also shows some violence against women, particularly in the character of Kathy Etchingham, who was Jimi's girlfriend. According the article, he never did beat her as shown in the film, as told by his biographer Charles Cross. 

What we are left with is an origin story, much like all these famous Hollywood superhero movies being churned out yearly. While that is nothing too major to pick upon, but if you want to watch a movie about Hendrix, you expect to see him at full glory, concerts and Strat-burning and all, not just the periods before and at the end and missing the meat of what Jimi contributed to the music world.

Years ago, the movie 'Cadillac Records' was released, loosely portraying the real Chess Records of Chicago's blues fame. While they used the same names of the musicians like Muddy Waters, Chuck Berry, Howlin' Wolf etc, it was not 100% accurate, yet it was able to give us the lasting legacy. Using the real music from that day by those musicians adds to the realism and immersion. 

Cadillac Records wasn't accurate, but it told the story very well.

The 2000 movie 'Hendrix', acted by Wood Harris, might not have been the best film and had a much lower budget, but it gave us the full round story including the infamous Monterrey performance. 

When doing a biofilm, especially about a highly revered artist or cultural icon, you have to expect that the fans, not the critics, are final line in deciding the film's rating. Much like other icons like Kurt Cobain, Bob Marley, etc, the directors and producers will be held to close scrutiny. 

Respecting an artist's legacy and their contribution is something that is held sacred by the fans, and if movie makers can't uphold this sanctity, the end result will always be negative. 

The film opens June 13 in the UK. 

'Hold That Train Conductor' - Byther Smith

Byther Smith is a great Chicago bluesman, who still tours and plays until today. He found his success late, however since the 80's he's been releasing albums and performing live constantly.

He's well known for his gritty blues guitar and soulful voice. Here's 'Hold That Train Conductor':

Blues Sketch on 'In Living Color' (with Jim Carey)

In Living Color was a comedy sketch show back in the early 1990's and featured the young Jim Carey, Jamie Foxx, the Wayans brothers and many more.

Here's one sketch about a fictional bluesman named Calhoun Tubbs (played by David Alan Grier) trying to teach Jim Carey's character (with a bad English accent) about the blues. Hilarity ensues!

Block Party in NYC Celebrating 'Miles Davis Way'

A few month back I posted that New York City's 312 West 77th Street will now be renamed 'Miles Davis Way'. In celebration, the Miles Davis Estate has invited everyone to go celebrate this occasion at a block party:

Join us Monday, May 26 from 12 p.m. to 2:30 p.m. EDT on Miles Davis' 88th birthday

At 312 W 77 Street (between Riverside Drive & West End Ave.) in New York, NY

This event will be FREE and OPEN to the public, hosted by Cheryl Davis, Erin Davis and Vine Wilburn, Jr.

If you live or are near New York City, you owe yourself to go and check it out!

'Morning After Blues' - Sonny Stitt

Sonny Stitt was one of the great jazz sax players, a staple of the bebop and hard bop subgenres. He recorded over 100 albums, and played with the greats like Miles Davis, Dizzy Gillespie, Art Blakey and many more.

In 1959 he released 'Sonny Stitt Blows the Blues', and is a collection of some great jazz blues tracks, one being 'Morning After Blues', a mellow song that closes the album:

Review: 'Sweet Giant of the Blues' - Otis Spann (1969)

It is hard to not write about the great blues pianist Otis Spann; he was a pillar of the classic Chicago blues. Indeed, he was in Muddy Waters' band from 1952 until 1968... in the blues world that's almost a lifetime, as many session players would often leave a band to pursue solo efforts. Muddy Waters always chose the best of the best to play in his band, and he also encouraged them to find their own success. 

Otis Spann, called a brother by Muddy, was the leading blues pianist of his time. His unique playing and soulful voice propelled him to the top of the pack very quickly, and he is included on many of the classic blues standards of the 50's and 60's. He released his first solo album in 1960, and until his early death in 1970 released several more and performed with other bluesmen such as Howlin' Wolf, Buddy Guy, Peter Green, Eric Clapton, and more.

2 Year Old Kid Sings The Blues (No Joke)

This kid is going places... he ain't even old enough to have the blues but he's already wailing on it like he's a dog without a bone.

Thanks Zaid and Tarek for the link!

'Who's Gonna Love You Tonight?' - Deep Blues by Sam Chatmon

Sam Chatmon was a delta blues singer and multi-instrumentalist, who was part of the blues group The Mississippi Sheikhs. Their music was highly influential from the 1930's onward.

Sam died in 1983 but his musical legacy lives on; here's Who's Gonna Love You Tonight? It's a version of several blues songs from Blind Lemon Jefferson and Arthur Crudup.

Feel the blues!