On this day in 1947, Son Bonds, a country blues guitarist, was accidentally shot on his porch by his short-sighted neighbor, who thought he was another man. Definitely, those days were very dangerous.
He was from Brownsville, Tennessee, and from the early 1930's until his death, recorded blues and also backed up Sleepy John Estes.
One of his famous songs is called "A Hard Pill To Swallow".
The Coronado and Starcaster basses are being reissued by Fender. The Coronado was released in the mid-60's and didn't last that long. The Starcaster was a prototype and only a few were made in the mid-70's, which makes any original very rare.
They aren't based on any "Fender" designs like the Precision or Jazz, rather more like Gibsons.
I honestly wouldn't buy one but it seems that they won't be very expensive, so for you bassists out there who want a Fender with a twist, then try one of these. They will be out sometime later in the coming months.
Check out the specs for the Coronado [here] and the Starcaster [here].
The blues is most associated with American music and culture. Surely one of it's best exports.
But how often do you hear it being sung in another language other than English? Well, Adrian Costa, a Spanish blues guitarist, shows us just how it sounds! He even explains that the blues is universal, and no matter where you are from, damnit you still get the blues.
The first ever London Blues Fest will take place from the 29th of October to the 1st of November, and features a killer lineup, playing at the Royal Albert Hall:
Not only that, the day schedule features dozens artists more, including Fun Lovin Criminals frontman Huey Morgan, with his sideband The New Yorkers, and Dr. Feelgood.
If you're in London at this time you owe it to yourself to check it out! (Range from £10 to £125)
Buddy Guy is a living blues legend. The 77 year old guitarist has been playing the blues since he was a youngster, and eventually made his way to Chicago in the mid 50's like many of his blues compatriots. Here he made friends with Muddy Waters and Junior Wells among others, and started performing with these giants as a session player.
He hit stardom in the early 90's when his album 'Damn Right I Got The Blues" won a Grammy award (he's won 5 more along the way), and since then he's been kicking ass all over. He's one of the only blues artists to be signed to a major record label. And with this album, his took this ass whoopin' to new heights, as it's his highest selling album in opening week and reached number 27 on the Billboard charts. [SOURCE]
This album is divided into two CDs: the first being 'Rhythm' and the second being 'Blues'.
The 'Rhythm' CD is a bit unusual to hear at first because you don't expect to hear soul/R 'n' B from Buddy. What it actually turns out to be is a collection of songs of funk and soul that are not in the expected repertoire of a Chicago bluesman, which shows Buddy's musical abilities and versatility and perhaps, his confidence out of his usual comfort zone.
The first track, 'Best in Town' sets the tone; a heavy funky song, where Buddy says: 'You don't have to be the fastest gun, or a hoochie coochie man, or a seventh son', paying homage to the Chicago bluesmen Muddy Waters and Willie Dixon.
This CD features covers songs, like Junior Wells 'Messin with the Kid' which features Kid Rock, and Guitar Slim's 'I Done Got Over It'. Both feature the rock and R n B sound respectively, done well, with great guitar solos by Buddy. 'One Day Away' which features Keith Urban, was a weak song, only because I'm not into modern country-rock. And Keith Urban is there. The song although has a great message, it comes off cheesy.
Moving to CD 2, the 'Blues' CD, which obviously is my favorite of the two, is pure Chicago blues heaven.
Starting with 'Meet Me in Chicago', Buddy gets to take you to town. The songs 'Too Damn Bad', a raunchy blues about a lover trying to come back to his love, hits you right in the head, 'Evil Twin', which features Steven Tyler and Joe Perry from Aerosmith, is a slow and rockin' blues track and is just a joy to hear. Hearing Buddy and Joe square off in guitar battles creams pants.
Most of the songs on the CD such as 'All That Makes me Happy is the Blues' and 'My Mama Loved Me', while strict blues, features very pure and real songwriting, where he talks about his personal upbringing, about his single mother, and all his hardships. It's very personal and it makes the music much more relatable.
Of course, there's time for fun, with 'Blues Don't Care', saying "Try to run but there's no escape, just a middle finger in the hand of fate", describing that you can't escape the blues.
The album is a must-have for blues lovers, for guitar slinger lovers, and if you are wanting to explore your music options, GET THIS ALBUM.
I'm happy to see and hear Buddy still performing and leading the blues mothership at his growing age, and from the looks of it, he's not going anywhere anytime soon!
Seasick Steve, a blues musician who spent most of his life roaming the US and Europe as a hobo, exploded in popularity when he performed a show in the UK in 2006, playing a 3-string guitar and just stomping on his "Mississippi drumbox".
Since then, he's released several albums and has toured the world. Ain't too bad if I say so myself.
Look out for my review of 'Rhythm & Blues', Buddy Guy's latest release. He is currently ambassador of the blues, and in a recent [article] in The Huffington Post, Guy expressed that blues should be more prominent on the radio:
"I'm not saying play the blues every day like everything else," said Guy, who released the album Tuesday, the same day he turned 77. "Just play the blues two or three times a week and I'll be happy with that."
And who wouldn't agree? Stay tuned for the review soon!
Herman E. Johnson was was born on this day in 1909, and his story is befitting of the deep blues.
Not much information is available of Herman; I searched the internet and all I could find was [this] small biography:
Another of the many performers briefly illuminated by the spotlight of the folk-blues revival of the 1960s, Louisiana-born country bluesman Herman E. Johnson was the product of a highly religious family environment, a background which heavily informed the spiritual imagery which was a hallmark of his later work as a performer. His early adult years were spent in a fruitless search for steady work which led him from the country to the city and back again; he picked up the guitar around 1927 as a respite from jobs ranging from picking cotton to pouring concrete to working at a scrap metal yard. Eventually,Johnson landed work at the Esso refinery in Baton Rouge, where he worked for 15 years before being unexpectedly fired; scrambling to find work -- an experience memorably recalled in his song "Depression Blues" -- he finally was hired as a janitor at Southern University in nearby Scotlandville. He held the same job at the time of his lone recording session, cut in Baton Rouge by Dr. Harry Oster in 1961; after suffering a stroke in 1970, Johnson went into retirement, and died on February 2, 1975.
Scrounging around for work, settling to be a janitor and recording one session during that time, Herman really lived the blues.
Here's one of his songs called "Po' Boy", a real deep Louisiana Country Blues:
